Rescued Beadwork
If you read my previous blog you know that I was looking for a home for my antique beadwork. Not to sell but looking for it's rightful home. It feels like another lifetime ago when I opened a native art and rare and unusual bead gallery in Fernandina Beach, in Florida. While I was there I amassed old beadwork that people gave to me or that I bought when traveling through St Louis, Lewis and Clark's gateway to the west. Now my beaded Mocasins, belt and other old pieces of native beadwork (one pair of moccasins can be seen in the previous blog) were gently and carefully packed and shipped off to Sinte Gleska University (SGU). SGU rescued my beadwork. I am so pleased to have found a home for these treasures. I am told SGU plans on using these for students in their cultural programs and for research projects. They said they would also be happy to take other items as well even if they do not belong to their ancestors as it is all part of the American Indian history.
I do have a few other items and some old beaded pincushions.
During the 18th and early 19th centuries mission schools on the reservations taught sewing and embroidery skills to young native girls and women. Pincushions were made during that time. Later they were made to sell as souvenirs. My collection of pincushions is from the Caughnawaga reservation in Canada. The name is a derivative of the word Mohawk word "Kahanwake" which means place of rapids. The major Mohawk village was located near the Mohawk River rapids and when they were converted to the "Catholic Mohawks" and moved to the Montreal area, they kept the name of their village on the river.
Sinte Gleska University is located on the Rosebud reservation in Mission, South Dakota and is Lakota-controlled and governed. It is administered and run by people who are ancestrally connected to the Rosebud reservation and their native culture.
I am just relieved that my old beaded items are where they belong, in good hands and will be honored and revered. And, mostly kept safe from destruction. Often old beadwork is torn apart to remove the antique seed beads.
Links you might be interested in:
If you would like to explore Sinte Gleska University here are some links:
http://www.sintegleska.edu/
Learn Lakota language here:
http://www.sintegleska.edu/speak-lakota-podcast.html
Or learn the Lakota word of the week here:
http://www.sintegleska.edu/lakota-word-of-the-week
See video of the Sinte Gleska buffalo ranch here:
http://www.sintegleska.edu/buffalo-ranch.html
Visit Sinte Gleska YouTube channel to see events such as the Founders Day event and maybe watch the "hat and boot dance" or listen to lectures on Lakota "thought and philosophy":
https://www.youtube.com/user/sintegleskautube
GotBeads2
Friday, June 5, 2015
Sunday, January 18, 2015
Well, here we are in 2015. Seems like yesterday when I first began neglecting my blogs. Yikes, it was July 2013. Yes, I have more than one blog. Sort of crazy; but, there are just so many things I am mad about doing, creating, writing. I always thought that I tend to be more creative when I am extremely busy and I tend to get lazy when business winds down. But that didn't work for me this time. I took a granted position in 2013 that was only for one year. They gave me a computer, a project, then sent me on my way and I didn't look up until it was finished. It is finished... so here I am again. Hoping that I might keep it going this time.
Today I am attempting to get back on track. I contacted a friend on Rosebud Reservation to see if they knew someone who would be interested in my fully beaded moccasins. Their estimated circa is from late 1800 to around 1910. It's important to me to find homes for these. Otherwise, they will eventually end up in the wrong hands and be taken apart by someone who collects old beads. Just can't let that happen.
There is something sad or nostalgic that I feel particularly for the red pair. The sole of the red pair was cut from a parfleche. A parfleche is a rawhide box or case that the plains Indians made out of rawhide and painted with earth pigments in designs similar to beadwork. They made them into bags and boxes and used them to store personal items. When they moved camp they would use them to transport their items on a travois often pulled by dogs or horses. You can see the parfleche design on the inside of the sole.
When I think about the sacrifice made, by destroying the parfleche, for the sole of the moccasin, I think about the soul of the person must have been desperate to create these moccasins. I imagine he felt the need to dance for his people and their struggles and, of course, by 1874 buffalo were rapidly disappearing so the rawhide was probably not available.
I compare the demise of the buffalo to an embargo...Take away the buffalo and you take away the Indian's ability to survive and resist and instead you are "..coercing them on reservations, and compelling them to begin to adopt the habits of civilization." (The Military and United States Indian Policy, p. 171)
Crazy Crow a popular supplier of native crafts has tips on their website on how to create your own parfleche. You can find directions and everything you need here. You can even find buffalo rawhide at Crazy Crow ....which is pretty pricey. There are every expanding herds of buffalo today and, as in the past, all of the buffalo is used and buffalo hides and rawhide can be found to recreate history.
Hunkpapa Lakota (Standing Rock)
National Museum of the American Indian
In the meantime, I will wait to hear if I have a home for the beaded moccasins, beaded belt and beaded cuffs.
Links:
National Museum of the American Indian
ICE Case Study: Buffalo Harvest
The Extermination of the American Buffalo
Crazy Crow Trading Post
Some good reading about that time period and the demise of the buffalo.
The Military and United States Indian Policy 1865-1903 Robert Wooster, Yale University Press, 1988.
Buffalo Days: Forty Years in the Old West: the Personal Narrative of a Cattleman Indian Fighter, and Army Officer Colonel Homer W.Wheeler. The Bobbs-Merrill Company, 1925.
Cavalier in Buckskin: George Armstrong Custser and the Western Military Frontier, Robert Utley. University of Oklahoma Press, 1988.
My favorite read is by Frederick E. Hoxie, Director ofD'Arcy McNickle Center for the History of the American Indian.
you can get it here:
Indians in American History
Today I am attempting to get back on track. I contacted a friend on Rosebud Reservation to see if they knew someone who would be interested in my fully beaded moccasins. Their estimated circa is from late 1800 to around 1910. It's important to me to find homes for these. Otherwise, they will eventually end up in the wrong hands and be taken apart by someone who collects old beads. Just can't let that happen.
There is something sad or nostalgic that I feel particularly for the red pair. The sole of the red pair was cut from a parfleche. A parfleche is a rawhide box or case that the plains Indians made out of rawhide and painted with earth pigments in designs similar to beadwork. They made them into bags and boxes and used them to store personal items. When they moved camp they would use them to transport their items on a travois often pulled by dogs or horses. You can see the parfleche design on the inside of the sole.
When I think about the sacrifice made, by destroying the parfleche, for the sole of the moccasin, I think about the soul of the person must have been desperate to create these moccasins. I imagine he felt the need to dance for his people and their struggles and, of course, by 1874 buffalo were rapidly disappearing so the rawhide was probably not available.
I compare the demise of the buffalo to an embargo...Take away the buffalo and you take away the Indian's ability to survive and resist and instead you are "..coercing them on reservations, and compelling them to begin to adopt the habits of civilization." (The Military and United States Indian Policy, p. 171)
Crazy Crow a popular supplier of native crafts has tips on their website on how to create your own parfleche. You can find directions and everything you need here. You can even find buffalo rawhide at Crazy Crow ....which is pretty pricey. There are every expanding herds of buffalo today and, as in the past, all of the buffalo is used and buffalo hides and rawhide can be found to recreate history.
Hunkpapa Lakota (Standing Rock)
National Museum of the American Indian
Links:
National Museum of the American Indian
ICE Case Study: Buffalo Harvest
The Extermination of the American Buffalo
Crazy Crow Trading Post
Some good reading about that time period and the demise of the buffalo.
The Military and United States Indian Policy 1865-1903 Robert Wooster, Yale University Press, 1988.
Buffalo Days: Forty Years in the Old West: the Personal Narrative of a Cattleman Indian Fighter, and Army Officer Colonel Homer W.Wheeler. The Bobbs-Merrill Company, 1925.
Cavalier in Buckskin: George Armstrong Custser and the Western Military Frontier, Robert Utley. University of Oklahoma Press, 1988.
My favorite read is by Frederick E. Hoxie, Director ofD'Arcy McNickle Center for the History of the American Indian.
you can get it here:
Indians in American History
Labels:
beaded belt,
beaded cuffs,
beads,
Beadwork,
buffalo,
creating,
Indian,
moccasins,
old beads,
parfleche,
rawhide,
writing
Location:
United States
Monday, July 8, 2013
Pray, Eat and Bead
My life feels as if it’s in a holding pattern. Everything I start abruptly ends like a bridge to nowhere. It's the super moon some say and, of course, the planets are changing and setting up new alignments. I decide that while I wait patiently for something to move, I will pray, eat and bead.
Beaded mocassins c. late 1800 |
Among the piles of beads I find size15º, 18º and even some 24º. These beads are so small they look like tiny grains of salt. I thought I had sold all of these but luckily I kept some for myself. Of course, I have no idea how to use them. Some are so small that needles will not fit through the hole. These are beads that haven’t been made since the 1800s. I love looking at them and imagining what it must have been like when glass bead making was a cottage industry and ships with their hulls full of beads traveled the seas in search of exotic spices and fabrics.
I decide I can’t wait. I have to have these colors--I dial Elliot Greene. Like everything else, things have changed and Elliot Greene has sent their inventory to a company called Har-man. Since I was a client in the past when I had the gallery, they told me who to speak with and they also said that Har-man was closed for a week. Ahh, that bridge to no where--I must wait.
I never thought I minded change, always thought I was flexible and flowed with life; but, I have come to believe that some things like make-up, perfume and bras should never change or become obsolete. You have to start all over again. That might not be a bad thing—maybe that’s why I feel stuck—perhaps I am resisting starting all over again. While I pray and eat I will ponder that thought about change and spend the next few days climbing over the beads spread out across the floor.
June 27, 2013
New Hampshire
Resources:
Elliot Greene
Har-man
Sunday, June 23, 2013
Beads, Beads-- my closets are filled with beads.
Whoa... still adjusting... such a culture shock being here after living in the Poltava, Ukraine for almost 3 years in the Peace Corps, I am now in a tiny space all my own and have I got beads. Finally, I unpacked my beads. Such a passion I have for those old trade beads. There's something about the Lewis and Clark era that I just love. I have cleared the decks-- I am ready to begin-- now what will my first beading project be?
In Poltava, I saw the most beautiful and intricate beadwork. It was very inspiring to find pictures of that beadwork on Pinterest. Even more inspiring was that I could read actually the description of the beadwork with my very basic Russian language skills.
Some people have closets filled with quilting supplies, fabric, craft supplies, scrapbooking supplies... but I have closets filled with rare and very old beads.
Here are just some pictures of my beads. You can find these beads in the Picard Trade Bead Museum
Resources you might enjoy:
Russian Blues: Faceted and Fancy Beads for the West African Trade
White Hearts, Feather and Eye Beads From the West African Trade
In Poltava, I saw the most beautiful and intricate beadwork. It was very inspiring to find pictures of that beadwork on Pinterest. Even more inspiring was that I could read actually the description of the beadwork with my very basic Russian language skills.
Some people have closets filled with quilting supplies, fabric, craft supplies, scrapbooking supplies... but I have closets filled with rare and very old beads.
Here are just some pictures of my beads. You can find these beads in the Picard Trade Bead Museum
Small Chevrons, Dutch Blues, White Hearts, and Feather Beads |
These are early 1900 glass tear drop and butterscotch glass tubes. |
Resources you might enjoy:
Russian Blues: Faceted and Fancy Beads for the West African Trade
White Hearts, Feather and Eye Beads From the West African Trade
Thursday, February 21, 2013
Faith and Hope and Beads
Beading always felt very therapeutic, as if I was in a meditative practice. When I do beadwork the hours float away. I become so engrossed watching colorful patterns emerge as I weave tiny seed beads together. Therefore, it didn't surprise me at all when I first learned that the word “bead” is derived from the Anglo Saxon word "bede” which means “prayer” and the word “bidden” which means “to pray.” Apparently, in the Middle Ages when everything of beauty such as jewelry was considered sinful, the prayer bead became acceptable and allowed as a way for the devoted to count their prayers. In fact, the poem The Faerie Queen , a medieval allegory written by Edmund Spenser and published between 1590 and 1609, a symbol for Elizabeth I. includes this verse “All night she spent in bidding of her bedes, And all the day in doing good and Godly deedes.”
The earliest depiction of the use of beads in ritual prayers can be seen on Hindu sandstone sculptures dating from around 185 B.C. – 320 A.D. It is not known exactly when Christians developed the use of the rosary. Dubin notes in the History of Beads that Christianity “was the last of the major religions to employ prayer beads in an important ritualistic role.” Perhaps the use of beads developed in independently or as a result of contact with Muslims in the eight-century in the Holy Land. However, there is no denying how small shinny objects capture our hearts. For me it is the feel of old beads, the smooth patina from their mysterious journey as they pass from hand to hand, generation to generation into the present time.
My favorite beads for prayer and meditation are beads I found in a small antique shop about 12 years ago. It is more difficult to find old beads today as they are becoming rare and hard to find as more people collect them. So naturally, I couldn't resist having these in my collection. From my research it seems they are Islamic prayer beads, Subha. There are 99 beads on the strand with one elongated bead. They are ebony inlaid with silver which had a design that is worn thin from the many years of use.
The amber prayer beads I received from a neighbor. There are 33 beads that slide easily along a chain. They originally belonged to neighbor, a woman from Eastern Europe, perhaps she brought them back with her on a visit. I doubt that they are very old but they are beautiful. The Eastern Orthodox Church uses prayer beads with a 33, 50, or 100 bead count and the Islamic Subha also uses 33 or 99 bead count.
A set of rosary beads was made for me by a customer who often purchased beads in my gallery. She would take them to Rome to be blessed, and then beaded them into rosaries to give away. These beads are called Czechoslovakian hand pressed gold star. If you look closely you can see the indentation where the gold star was pressed into the warm glass bead before it cooled.
Links you might enjoy.
Here is a link to some very beautiful prayer beads and information on how each is used: Prayer Beads World
Islamic Prayer Beads: SubhaWhat is a Mala: How to use Tibetan Prayer Beads
Read the Faerie Queene online:
The Faerie Queene, Book 1, Canto 10The Faerie Queene, Book 1; Book 5
Info about Worry Beads:
Science News Article: Worry BeadsNew York Times Article: Whatever the Purpose of Worry Beads...
Create your own prayer bead:
A String and a Prayer: How to Make and Use Prayer Beads
Bead One, Pray Too: A Guide to Making and Using Prayer Beads Bead One, Pray Too: A Guide to Making and Using Prayer Beads
The History of Beads: From 100,000 B.C. to the Present, Revised and Expanded Edition
Read the Faerie Queene online:
The Faerie Queene, Book 1, Canto 10The Faerie Queene, Book 1; Book 5
Info about Worry Beads:
Science News Article: Worry BeadsNew York Times Article: Whatever the Purpose of Worry Beads...
Create your own prayer bead:
A String and a Prayer: How to Make and Use Prayer Beads
Bead One, Pray Too: A Guide to Making and Using Prayer Beads Bead One, Pray Too: A Guide to Making and Using Prayer Beads
The History of Beads: From 100,000 B.C. to the Present, Revised and Expanded Edition
Labels:
Bead,
beading,
beads,
Beadwork,
Mala,
pray,
prayer beads,
Rosary,
Subha,
worry beads
Monday, February 4, 2013
Bead Obsession: The Beginning
My obsession
with shinny glass beads began when I was a little girl—about 5 or 6 years
old—my grandmother gave me some beads. I
remember very clearly because it caused a lot of discontent. When my uncles and
aunt discovered I had the beads they ran into the kitchen questioning her. They were not happy that she had given me
Poppa Burke’s beads. But, I remember she
said very loudly, “I want her to have them.” I must have
wanted to make sure that no one took them away from me so I hid them away. At night sometimes I would take them out and
turn the smooth glass ovals round in my fingers studying the beautiful designs,
every bead was different and different on every side. The colors swirled together and looked like
flowers, faces and spoke to me of a world beyond. I put them away and for many years those beads didn't see the light of day.
One day I
took them out and hung them from the rear view mirror in my car. A friend just happened to see them and
exclaimed… “Get those beads off there,“ she said, “Someone will steal
them.” Once again they went into hiding.
It
was when I opened an art gallery that specialized in native arts and rare and
unusual beads that I brought them out. I strung them and wore
them for a while; but, they were to fragile and began to show some wear because I was constantly touching them—they were
my link to a far distant past that brought me to this time and place in my
life. Without realizing it, I had been on a lifelong bead hunt to discover their
mystery and the stories behind the beads I had been entrusted with so very long
ago.
Visit www.etsy.com to view some of my beads. More beads will be added in the future.
A great read as well as a resource.
The History of Beads: From 100,000 B.C. to the Present, Revised and Expanded Edition
Labels:
beads,
bone,
glass beads,
seed beads,
trade beads,
Venetian
Location:
New Hampshire, USA
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